The Future of Television Viewing | Aditya B Rao

Invoking Nationalism and Exploring Truth in the Biopic : A Close reading of
Bhaag Milkha Bhaag (2013) | Aghil P Komban

Depiction of inherent class hierarchy inherent in
Kanjivaram silk sarees through the movie “Kanjivaram” | Annie Swetha SA

Exorcising Female Rebellion- A Re-reading of the Malayalam
Film Manichitrathazhu | Anupama Nayar

Food as Symbolic Capital in Salt n Pepper and Usthad Hotel | Arya Aiyappan

The Performative Widow - Art as a manifestation of a widow's desire
in 'Parinayam' | Blessy Issac

Role of humour in portrayal of social issues in
Rajkumar Hirani films | Christal Velda Mitzie Ferrao

Effectiveness of Layer Editing: A case study on the film
“The Mill and the Cross” | Dileep Raj

Digital way to marketing Indian Cinema – A New way of branding Indian Cinema
Dinesh Madagaonkar

Myth and Vengeance: Retelling of Myth in Sujoy Ghosh’s
Short Film, Ahalya | Eesha Saini

Manik Raitong: Transmitting from Oral to Film | Etawanda Saiborne

Disempowering the woman in her own movie: Making victim of the hero in
Angry Indian Goddesses | Fatema Diwan

Abbas Kiarostami -the minimalist filmmaker | Geetha Bakilapadavu

Cinema and Politics: A Study on the Influence of Malayalam Film Personalities on
Kerala Assembly Elections 2016 | Irfan Ahmed Nazir

The Subcontinental Responses to Shakespeare :  A Study on Maqbool, Omkara and
Haider | Jaincy John

In pursuit of Identity Liberation, dignity and identity reflections of post modern
women through the lead female characters  in Aashiq Abu
movies | Jeemon Francis and Namitha Lisbath

Urban Feminine Identity in Bengal :
Women Protagonists in Aparna Sen’s Narratives | Jhuma Basak

Semiotic Analysis of the depiction of Cultural Violence in
21st Century Malayalam Cinema - A case study of the film
Palerimanikyam Kolakkesu oru Pathirakolapathakathinte katha | Juby Thomas

Need for Censorship of TV serials in India | Kaluvoya Anitha

A Case Study on Portrayal of Women in
National Award Winning Hindi Films:
PIKU and Tanu Weds Manu Returns | K Divya & Rosemol

Path for PK: Analysing Religion, God and
Identity through the character of PK | Keerthi Sudhakar Vasishta

Characterisation of Women in Hindi Film
Adaptations of Select Shakespearean Tragedies | Kritika Ojha

Women filmmakers of India and their way of making cinema | Kritika Chowdhury

Influence of dance reality shows on Indian Cinema | Louis Bernard

Cinema and Law | Manjula RS

A Study of Adaptation in
Grimm's Rapunzel and Disney's Tangled | Miruthulavarshini P

Portrayal of Race in Disney Films | Mridhula Ravi

Neorealism in Indian Cinema | M S Divya Sindhu, Aman Pushp  

Representation of Women in Malayalam Films | Stenza Augustine

Offbeat Marketing Strategies for Independent Indian Cinema:
A Study with Special Reference to The Movie Court | Nagashree V and Nagapriya V

Women centric movies in Bollywood:
Growing trend and popularity | Neha Bhushan

Poetics and Politics of Queer Representation in
Contemporary Hindi Mainstream Cinema | Nidhi Khatana

The Cine Politics of cashing in on water crises | Padmakumar M M and R  Dhanya

Queer Identities: Exploring LGBT Identity in Hindi Cinema | Pushpinder Kaur

Women’s movement in Karnataka and its songs | Praveen Kumar

Defining the ‘New Hero’ of Malayalam Cinema | Preethy Sajan

Simulation and Reality in Matrix Trilogy:
Philosophy for a Post-human Condition | Raju M S

Emerging Trends in Funny Videos -
A Case Study on a Group in Hyderabad | Raygalla Kalyan Srinivas

From Kitchen to Heart: The Journey of Food as Reflected in
The Lunch Box | Sajitha M A

Piku: facets and frontiers of travel narrative and
the metaphors used | Salona Mishra

The Vamp's Vengeance: An Exploration of the Picaresque Element and Identity
of the Prostitute in 'Talaash' and 'Dev D' | Sambhavi Sudhakar

A Study on Freudian and Neo-Freudian aspects in Star Wars Canon | Samrat Nath

Synecdoche, New York : A Postmodern Analysis | Sangeetha Alwar and Parvathy K

Legal perspective on Copyright and Insurance: A Case Study on
Film and Book | Sanjay P Shenoi

The Politics of Soap Operas | Sarath Krishnan, Anila Mary Thomas and Shijina K V

Censoring the Censor Board: A Legal Perspective of Censorship in Indian
Cinema | Satyam Rathore

Exploring the various facets of political cinema | Saurabh Das

The Politics of Biopic in Recent Hindi Cinema | Sayanty Chatterjee

Woman Empowerment; a change of mindset and attitude | Sindhu Shantha Nair

Celluloid to Soulmates: A study on the impact of films on the perception of
romantic love among the youth | Shakti Swaminathan

Death of the stardom | Shantharaju S and Vagdevi H S

A Study on the Influence of Humorous Horror Tamil Films among
Adolescents | S Hemamalini

Kothas and Courtesans of Lucknow: Celluloid Vs Reality A study of the real
culture of Kothas and courtesans of Lucknow juxtaposed with their cinematic
portrayal in Indian films | Shirin Abbas

The role of Bangalore Film Festival in reflecting on the queer( LGBT) group
in Bangalore | Shivangi Rastogi and Akshika Agarwal

Midway Of Commercially And Socially Responsible Cinema | Shivangi Shrivastava

Projection of Theatre in Cinema - A content analysis | Shrinidhi S

The depth in the usage of Indian dances in Indian cinemas - then and now:
a detailed review | S. Marie Stella

“Two Moons” A study of the highly successful collaboration between director
Singeetham Srinivasa Rao and actor Kamal Hassan | Sriraksha V Raghavan

Fame of Infamy: Profiling Popular Villains and Analyzing The Grounds
For Their Popularity | Suchismita Dattagupta

Suspense and Tension in cinema: An analysis of need, technique and
effectiveness | Sundaravel.E and DR. Elangovan

A Collision of Two Worlds: A Postmodern Analysis of Enchanted
Surbhi Shand, Dharani Dhavamani and Sherin D’ souza

Censorship and Freedom of Expression in Indian Movies: A study based on
the two movies ‘Pithavinum Puthranum’ and ‘Unfreedom’ which were
banned in India | Sojimon C C, Asha Oommen and Christy P Benny

Looking Back: Rebooted Franchises and Nostalgia in Contemporary
Film | Sweekruthi K and Varsha Gowda

Content analysis of Aaaranya Kaandam: A Gangster film | S.Yamunai Selvan

Representation of Catholic nuns in Films- an explorative study on significant films in Hollywood and Mollywood | Tessy Jacob

Life and/or Death: Maternal Ambivalence in Horror
Movies | Tissy Mariam Thomas

Silent films to Talkies:  Effects on the isolated hearing impaired
audience | T R Ramakrishnan

Indian Expressionism: Traits of German expressionism in  Indian cinema | Vijith M

Content Analysis of Dalit portrayal in the Marathi Feature Film
'Fandry' | V Loganayagi Abinaya